3 of 12 presets carry at least one objective fault.
Objectively wrong — physics or dead logic. These are not matters of taste; each one is silently working against you every time you play.
cab0
This cab is unfiltered on that side: it passes everything down to 19.9 Hz — sub-bass flub a real cab cannot produce, eating headroom; it passes everything up to 20100 Hz — digital fizz territory no speaker reproduces (real cabs roll off by ~5–7 kHz).
FixSet low cut ~65–90 (below your lowest tuning) and high cut ~7000–8000.
ir0
The filter removes the fundamental of the lowest string — the note itself, not the mud. This is heard as hollow, weightless low notes and no EQ or drive setting can bring it back.
FixLower the cab's low cut to ~74 Hz or below.
ir0
This IR is unfiltered on that side: it passes everything down to 19.9 Hz — sub-bass flub a real cab cannot produce, eating headroom; it passes everything up to 20100 Hz — digital fizz territory no speaker reproduces (real cabs roll off by ~5–7 kHz).
FixSet low cut ~65–90 (below your lowest tuning) and high cut ~7000–8000.
Almost certainly hurting the tone, based on limits validated by ear on real rigs. Worth fixing; trust your ears on the final value.
cab0/cab1
Two IRs summing in parallel must agree on level and band-limiting or one path dominates and the blend smears instead of tightening. Different IR models and moderate high-cut differences are fine — level and low-cut are not.
FixMatch cab Level and low cut across the pair; keep the different cab models.
reverb0
The wet path is high-cut below the dry path, so the tail of every sustained note is duller than the note itself — heard as high notes 'not ringing right' as they decay.
FixRaise the reverb HighCut to at least 20100, or accept knowingly for deliberately dark ambience.
delay1
The wet path passes top end your cab cuts, so tails carry content the notes themselves do not. Clean, it reads as air; with any drive in front it becomes fizz that you hear most as the note decays.
FixMatch the delay HighCut to the cab at 8000, or keep it knowingly for deliberate shimmer.
reverb0
The wet path is high-cut below the dry path, so the tail of every sustained note is duller than the note itself — heard as high notes 'not ringing right' as they decay.
FixRaise the reverb HighCut to at least 8000, or accept knowingly for deliberately dark ambience.
reverb0
The wet path is high-cut below the dry path, so the tail of every sustained note is duller than the note itself — heard as high notes 'not ringing right' as they decay.
FixRaise the reverb HighCut to at least 8000, or accept knowingly for deliberately dark ambience.
amp0.Sag
Same amp model, wildly different setting. Often a forgotten tweak; on low-end controls (Depth, Resonance) it silently guts the body of this one preset while its siblings sound full.
FixTry 0.50 to match the rest of your library.
reverb0
The wet path is high-cut below the dry path, so the tail of every sustained note is duller than the note itself — heard as high notes 'not ringing right' as they decay.
FixRaise the reverb HighCut to at least 20100, or accept knowingly for deliberately dark ambience.
amp0.Treble
Same amp model, wildly different setting. Often a forgotten tweak; on low-end controls (Depth, Resonance) it silently guts the body of this one preset while its siblings sound full.
FixTry 0.80 to match the rest of your library.
amp0.Drive
Same amp model, wildly different setting. Often a forgotten tweak; on low-end controls (Depth, Resonance) it silently guts the body of this one preset while its siblings sound full.
FixTry 0.58 to match the rest of your library.
reverb0
The wet path is high-cut below the dry path, so the tail of every sustained note is duller than the note itself — heard as high notes 'not ringing right' as they decay.
FixRaise the reverb HighCut to at least 8000, or accept knowingly for deliberately dark ambience.
reverb0
The wet path is high-cut below the dry path, so the tail of every sustained note is duller than the note itself — heard as high notes 'not ringing right' as they decay.
FixRaise the reverb HighCut to at least 8000, or accept knowingly for deliberately dark ambience.
Unusual settings that may be intentional. Each one is explained, not condemned — check it knowingly and keep it if it is doing a job.
blocks
These blocks are loaded (costing DSP) but no snapshot ever turns them on. Either free ammunition — a ready-made lead boost or split-coil compensator — or dead weight.
FixAssign to a footswitch/snapshot, or delete to free DSP.
comp0 after dist0
comp0 follows dist0. Distortion is already a compressor, so a second one downstream adds little sustain and instead lifts hiss and hum between notes. Compression in front of the gain is what evens out pick attack.
FixMove comp0 ahead of dist0, or bypass it and let the drive do the levelling.
snapshots
All duplicated snapshots carry default names and identical state — this preset simply doesn't use snapshots. Fine if intentional; a missed live-switching feature if not.
blocks
These blocks are loaded (costing DSP) but no snapshot ever turns them on. Either free ammunition — a ready-made lead boost or split-coil compensator — or dead weight.
FixAssign to a footswitch/snapshot, or delete to free DSP.
blocks
These blocks are loaded (costing DSP) but no snapshot ever turns them on. Either free ammunition — a ready-made lead boost or split-coil compensator — or dead weight.
FixAssign to a footswitch/snapshot, or delete to free DSP.
blocks
These blocks are loaded (costing DSP) but no snapshot ever turns them on. Either free ammunition — a ready-made lead boost or split-coil compensator — or dead weight.
FixAssign to a footswitch/snapshot, or delete to free DSP.
blocks
These blocks are loaded (costing DSP) but no snapshot ever turns them on. Either free ammunition — a ready-made lead boost or split-coil compensator — or dead weight.
FixAssign to a footswitch/snapshot, or delete to free DSP.
blocks
These blocks are loaded (costing DSP) but no snapshot ever turns them on. Either free ammunition — a ready-made lead boost or split-coil compensator — or dead weight.
FixAssign to a footswitch/snapshot, or delete to free DSP.
snapshots
All duplicated snapshots carry default names and identical state — this preset simply doesn't use snapshots. Fine if intentional; a missed live-switching feature if not.
blocks
These blocks are loaded (costing DSP) but no snapshot ever turns them on. Either free ammunition — a ready-made lead boost or split-coil compensator — or dead weight.
FixAssign to a footswitch/snapshot, or delete to free DSP.
blocks
These blocks are loaded (costing DSP) but no snapshot ever turns them on. Either free ammunition — a ready-made lead boost or split-coil compensator — or dead weight.
FixAssign to a footswitch/snapshot, or delete to free DSP.
blocks
These blocks are loaded (costing DSP) but no snapshot ever turns them on. Either free ammunition — a ready-made lead boost or split-coil compensator — or dead weight.
FixAssign to a footswitch/snapshot, or delete to free DSP.
comp0 after amp0
comp0 follows amp0. Distortion is already a compressor, so a second one downstream adds little sustain and instead lifts hiss and hum between notes. Compression in front of the gain is what evens out pick attack.
FixMove comp0 ahead of amp0, or bypass it and let the drive do the levelling.
blocks
These blocks are loaded (costing DSP) but no snapshot ever turns them on. Either free ammunition — a ready-made lead boost or split-coil compensator — or dead weight.
FixAssign to a footswitch/snapshot, or delete to free DSP.
Not problems — things worth knowing about how these presets are wired.
snapshots
Editing these on the block panel will be silently overridden when a snapshot is recalled — change them per snapshot.
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