1 of 10 presets carry at least one objective fault.
Objectively wrong — physics or dead logic. These are not matters of taste; each one is silently working against you every time you play.
ir0
This IR is unfiltered on that side: it passes everything down to 19.9 Hz — sub-bass flub a real cab cannot produce, eating headroom; it passes everything up to 20100 Hz — digital fizz territory no speaker reproduces (real cabs roll off by ~5–7 kHz).
FixSet low cut ~65–90 (below your lowest tuning) and high cut ~7000–8000.
Almost certainly hurting the tone, based on limits validated by ear on real rigs. Worth fixing; trust your ears on the final value.
reverb0
The wet path is high-cut below the dry path, so the tail of every sustained note is duller than the note itself — heard as high notes 'not ringing right' as they decay.
FixRaise the reverb HighCut to at least 8000, or accept knowingly for deliberately dark ambience.
reverb0
The wet path is high-cut below the dry path, so the tail of every sustained note is duller than the note itself — heard as high notes 'not ringing right' as they decay.
FixRaise the reverb HighCut to at least 20100, or accept knowingly for deliberately dark ambience.
delay0
The wet path passes top end your cab cuts, so tails carry content the notes themselves do not. Clean, it reads as air; with any drive in front it becomes fizz that you hear most as the note decays.
FixMatch the delay HighCut to the cab at 8000, or keep it knowingly for deliberate shimmer.
reverb0
The wet path passes top end your cab cuts, so tails carry content the notes themselves do not. Clean, it reads as air; with any drive in front it becomes fizz that you hear most as the note decays.
FixMatch the reverb HighCut to the cab at 8000, or keep it knowingly for deliberate shimmer.
reverb0
The wet path is high-cut below the dry path, so the tail of every sustained note is duller than the note itself — heard as high notes 'not ringing right' as they decay.
FixRaise the reverb HighCut to at least 8000, or accept knowingly for deliberately dark ambience.
delay0
The wet path passes top end your cab cuts, so tails carry content the notes themselves do not. Clean, it reads as air; with any drive in front it becomes fizz that you hear most as the note decays.
FixMatch the delay HighCut to the cab at 8000, or keep it knowingly for deliberate shimmer.
delay1
The wet path passes top end your cab cuts, so tails carry content the notes themselves do not. Clean, it reads as air; with any drive in front it becomes fizz that you hear most as the note decays.
FixMatch the delay HighCut to the cab at 8000, or keep it knowingly for deliberate shimmer.
reverb1
The wet path passes top end your cab cuts, so tails carry content the notes themselves do not. Clean, it reads as air; with any drive in front it becomes fizz that you hear most as the note decays.
FixMatch the reverb HighCut to the cab at 8000, or keep it knowingly for deliberate shimmer.
Unusual settings that may be intentional. Each one is explained, not condemned — check it knowingly and keep it if it is doing a job.
blocks
These blocks are loaded (costing DSP) but no snapshot ever turns them on. Either free ammunition — a ready-made lead boost or split-coil compensator — or dead weight.
FixAssign to a footswitch/snapshot, or delete to free DSP.
snapshots
All duplicated snapshots carry default names and identical state — this preset simply doesn't use snapshots. Fine if intentional; a missed live-switching feature if not.
blocks
These blocks are loaded (costing DSP) but no snapshot ever turns them on. Either free ammunition — a ready-made lead boost or split-coil compensator — or dead weight.
FixAssign to a footswitch/snapshot, or delete to free DSP.
snapshots
All duplicated snapshots carry default names and identical state — this preset simply doesn't use snapshots. Fine if intentional; a missed live-switching feature if not.
blocks
These blocks are loaded (costing DSP) but no snapshot ever turns them on. Either free ammunition — a ready-made lead boost or split-coil compensator — or dead weight.
FixAssign to a footswitch/snapshot, or delete to free DSP.
snapshots
All duplicated snapshots carry default names and identical state — this preset simply doesn't use snapshots. Fine if intentional; a missed live-switching feature if not.
blocks
These blocks are loaded (costing DSP) but no snapshot ever turns them on. Either free ammunition — a ready-made lead boost or split-coil compensator — or dead weight.
FixAssign to a footswitch/snapshot, or delete to free DSP.
snapshots
All duplicated snapshots carry default names and identical state — this preset simply doesn't use snapshots. Fine if intentional; a missed live-switching feature if not.
blocks
These blocks are loaded (costing DSP) but no snapshot ever turns them on. Either free ammunition — a ready-made lead boost or split-coil compensator — or dead weight.
FixAssign to a footswitch/snapshot, or delete to free DSP.
snapshots
All duplicated snapshots carry default names and identical state — this preset simply doesn't use snapshots. Fine if intentional; a missed live-switching feature if not.
blocks
These blocks are loaded (costing DSP) but no snapshot ever turns them on. Either free ammunition — a ready-made lead boost or split-coil compensator — or dead weight.
FixAssign to a footswitch/snapshot, or delete to free DSP.
blocks
These blocks are loaded (costing DSP) but no snapshot ever turns them on. Either free ammunition — a ready-made lead boost or split-coil compensator — or dead weight.
FixAssign to a footswitch/snapshot, or delete to free DSP.
Not problems — things worth knowing about how these presets are wired.
snapshots
Editing these on the block panel will be silently overridden when a snapshot is recalled — change them per snapshot.
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